[32] This practice seems to have appealed not only for home dyers, but also for professional dyers who were eager to cut the costs of producing black and sell their products off with a more expensive price. See Pastoreau, Black, 92.  There were also other new controversial methods of dyeing silk, such as the method known ‘goro a crescente’, initially applied on haberdashery and tabbies, which produced black in a cheaper way. See Molà, Silk Industry, 133-138.