• How to Use and Cite this Book
  • Introduction
    Jenny Boulboullé & Sven Dupré
  • Methodologies
    • How Site Matters to Reworking with Makers
      Jenny Boulboullé & Sven Dupré
    • Claudy Jongstra Reinterprets Burgundian Black: An Essay in Images
      Claudy Jongstra
    • Displaying and Experiencing Burgundian Black in Museum Hof Van Busleyden
      Samuel Mareel & Marijke Wienen
  • Historical Context
    • Power, Black Clothing, and the Chromatic Politics of Textiles in Renaissance Europe
      Paula Hohti
    • The Construction of an Image: Philip The Good in Black (1419-1467)
      Sophie Jolivet
    • Material Realities of Dyeing Black: Trade in Colorants in Europe c. 1400–1700
      Jo Kirby
  • Dyeing & Dress
    • Reworking Black Dye Technologies of the Burgundian-Habsburg Netherlands: Three Types of Black Dyeing
      Natalia Ortega Saez & Vincent Cattersel
    • Remaking Black Silk/Wool Stockings
      Art Proaño Gaibor & Chrystel Brandenburgh
    • Colouring Black in Fabric and Paint
      Erma Hermens & Suzan Meijer
  • Illumination & Illustration
    • Deuil d’Europe: Lucas d’Heere’s World Gone Black
      Anne-Laure Van Bruaene
    • Before Black There Was Red: the Madder Illustration Woodblock for the Herbals of Rembert Dodoens (1517-1585) 
      Jessie Wei-Hsuan Chen
    • Illuminating Burgundian Black Splendours
      Jenny Boulboullé
    • Black Colour Technologies for Burgundian Illuminators
      Birgit Reissland
  • Digital Manual
    • A Practical Guide to the Production of Black Pigments, 1350-1700
      Birgit Reissland
  • Acknowledgements
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Posted on March 16, 2022March 19, 2022 by andrew

“Kindling [orig.: “Kün”] black is known to everyone.” Boltz von Ruffach. 1549. Illuminier Buoch: p. 98