[31] On more extensive discussions of the punch-cutting and type-casting processes, see Carter, A View of Early Typography, 5–22; Febvre and Martin, The Coming of the Book, 56–60; Pettegree, The Book in the Renaissance, 23–25.
[31] On more extensive discussions of the punch-cutting and type-casting processes, see Carter, A View of Early Typography, 5–22; Febvre and Martin, The Coming of the Book, 56–60; Pettegree, The Book in the Renaissance, 23–25.