[108] Bonito Fanelli, “The Pomegranate Motif In Italian Renaissance Silks: a Semiological Interpretation of Pattern and Color”; Monnas, “Italian Silks (1300-1500),” 170; Geelen and Steyaert, Imitation and Illusion: Applied Brocade in the Art of the Low Countries in the fifteenth and sixteenth centuries, 81.