[5] For the continued use of colour in this period, both in festive occasions as well as worn under black over-garments, see Rublak, “Renaissance Dress”, 9; Currie, Fashion and Masculinity, Chapters 6 and 7; and Chiara Buss, “Half-Tints”, 175. See examples in Hohti, “Dress, Dissemination and Innovation”, p. 153.