[123] While unambiguous identifications of specific fabrics and weaves in paintings are generally problematic, the ducal dress in this miniature has been described in textile terms, e.g., Verougstraete and Van Schoute, “La frontispice des Chroniques de Hainaut. Examen en laboratoire,” 151 and 154; Van Buren-Hagopan, “Dress and Costume,” 113; Scott, “The Role of Dress in the Image of Charles the Bold, Duke of Burgundy,” 45; Campbell, “Rogier van der Weyden and Manuscript Illumination,” 92-93; On the relationship of the portrayed clothing and those described in contemporary textual records, see Van Buren-Hagopan, “Dress and Costume”; Jolivet, “La construction d’une image: Philippe le Bon et le noir (1419-1467)”.